I was in the Swiss mountain village of Grindelwald in August of 2018 when I opened my Twitter app and saw that the US poet Chelsey Minnis would be giving …
A Radical History of the World: Fred D’Aguiar talks to Leo Boix
A few hours before the poet, novelist and playwright Fred D’Aguiar was preparing to launch his eighth collection, Translations from Memory (Carcanet, 2018), I met with him to talk about …
The Condition of Intimacy by Jess Cotton in conversation with Ariana Reines
When I first read Ariana Reines’s third collection Mercury in 2011, I was blown away by the distinctiveness of her poetic voice and by the honesty of the writing. With …
A Kind of Masquerade: Kayo Chingonyi talks to Emily Hasler
EH: I thought I’d start by asking you about your work since Kumukanda appeared and how you see it in relation to the collection? KC: There are several poems that, …
On Radical Tenderness: Andrea Brady talks to Andrew Spragg
Andrea Brady’s work explores the potential of poetry to transform our lives, politics and communities. It also refuses to ignore the tensions that exist in the foundations and functions of …
No Need For Permission: Tom Pickard talks to Chris McCabe about poetry and political activism
Tom Pickard meets me at Maryport Station, Cumbria, and drives me back to his home, an old weathered terrace on a street between two pubs. On the wall behind us …
Rooting for Language: Matthew and Michael Dickman talk to Chrissy Williams on the publication of Brother
CW: You’re in the UK to promote Brother, which Faber have published with two covers, front and back. The reader must pick one, read into the middle, then turn the …
Playing With Light and Time: Maura Dooley talks to Karen McCarthy Woolf
KMW: The Silvering is your fifth collection. It feels as if there is a consolidation, thematically and formally, in terms of how the work brings political, personal and ecological strands together …
Little Windows, Difficult Truths – Colette Bryce talks to Alex Pryce
AP: Your last full-length collection, Self-Portrait in the Dark, was published in 2008. What have you been doing since then? CB: Well, I’ve been keeping going as a freelance, which …
The Slum Landlord, Time: Ellen Cranitch talks to Glyn Maxwell
EC: I wanted to ask you to what extent you regard your new book Pluto as a departure? The long poems explore your relationships, or, like the lyrical ‘Birthplace’, your home town. Writing …
