Tim Z Hernandez is an American writer, poet, and performer. His first poetry collection Skin Tax (2004) received the 2006 American Book Award and his debut novel Breathing in Dust (2010) was awarded the 2010 Premio Aztlán Literary Prize and was a finalist for the California Book Award. In 2014, he received the Colorado Book Award for his poetry collection Natural Takeover of Small Things (2013) and the International Latino Book Award for his historical fiction novel, Mañana Means Heaven (2013). Most recently he was recognized for his research on locating the victims of the 1948 plane wreck at Los Gatos Canyon, the incident made famous by Woody Guthrie’s song of the same name, which is chronicled in Hernandez’s documentary novel All They Will Call You (2017). Hernandez is currently an associate professor in the University of Texas at El Paso’s bilingual MFA in creative writing program. Following the publication of his latest collection, Some of the Light: New and Selected Poems (2023), he spoke to our Reviews Editor, Isabelle Baafi, about the role of witness and mindfulness in his work.

I first met Gboyega Odubanjo on 29 January 2019 in the Terrace Bar of the Tate Modern. I had just published his poem ‘Confessions in 3/4 Timing’ in the pages of Ambit’s Winter 2018 issue, having been hired by the [...]

The body is a tender space, a negotiation between the soft and the sore. William Gee’s pamphlet Trust Fall navigates this experience of the body through the perspective of chronic illness, and there is an aching sense of guilt throughout [...]

The Business Support Manager has overall responsibility for the effective and efficient running of the Poetry London office, based at Goldsmiths, University of London, and the operational delivery of the Charity’s objectives, working closely with and supporting the PL Editors.  [...]

In her sixth instalment of her exclusive column for Poetry London, Camille Ralphs revisits one of the most influential English-language anthologies ever published, namely Palgrave’s Golden Treasury, and considers the rise and fall in the fortunes of various poets included in its pages, ranging from William Drummond of Hawthornden (1585–1649) to Roy Campbell (1901–1957).

Victoria Chang is the author of The Trees Witness Everything (Copper Canyon Press, 2022), Dear Memory (Milkweed, 2021), and OBIT (Copper Canyon Press, 2020), which was named a New York Times Notable Book, a Time Must-Read Book, and received the Los Angeles Times Book Prize, the Anisfield-Wolf Book Award in Poetry, and the PEN/Voelcker Award. Her forthcoming book of poems, With My Back to the World, will be published in 2024 by Farrar, Straus & Giroux. In the lead-up to her new collection, Jennifer Wong sat down with her to discuss how innovations of form and lyricism can bridge the layers of identity and grief.

Given that dance expression is so integral to Cane, Corn & Gully – Safiya Kamaria Kinshasa’s hallucinatory debut collection – it’s curious to see that in the short essay-poem ‘Preface’, which itself unconventionally occurs on page 19 of the book, [...]