Poetry London is an arts charity and leading international poetry magazine where acclaimed contemporary poets share pages with exciting new names. Published three times a year in February, May and September, each issue contains new poetry, incisive reviews and features. Poetry London holds an annual poetry competition and launches each issue with readings from distinguished poet contributors to the magazine.

News: Poetry London presents… Drinks with Dead Poets on Sunday 25 March. Find out more.


Spring 2018: Issue 89


The Spring 2018 issue of Poetry London offers new and exciting work from Selima Hill, Natalie Shapero, Leontia Flynn, Jane Yeh, Tara Bergin, Fiona Benson, and introduces Hieu Minh Nguyen with a brilliant long poem. This issue also presents poetry from the talented emerging voices of Mary Jean Chan, Emma Jeremy, Isla Anderson and Sarah Fletcher, alongside wonderful new translations of Kim Kyung Ju, Lieke Marsman, and Marlene Tissot.

In the features section, Nisha Ramayya’s ‘Threads’ responds conceptually to Sandeep Parmar’s ‘Lyric Violence, the Nomadic Subject and the Fourth Space’ (published in Poetry London 88). Continuing the notions of weaving in lyric poetry put forward by Parmar, Ramayya proposes a Tantric poetics of ‘multiple positions, directions, and movements’ in the face of structural divisions and hierarchies. With related concerns, Andrew Spragg and Andrea Brady discuss the value of love and radical tenderness in times of global catastrophe.

The reviews pages feature Lindsay Turner on pragmatism and difference in the work of activist-poet Audre Lorde, Momtaza Mehri on Asha Lul Mohamud Yusuf’s powerful witness to refugee life, Srishti Krishanmoorthy-Cavell on books that work with water, weather and waste, and Robert Kiely on D S Marriott, grime and Mary Poppins.

Plus reviews of Chris Torrance, Sylvia Plath, Mai Der Vang, pamphlets, and more.

You can read a selection of poems and reviews from the issue here.

The poems in this issue were guest edited by Wayne Holloway-Smith, the essay, interview and reviews by Sam Buchan-Watts.

  • ‘Poetry London has long been essential reading. Try imagining contemporary poetry without it.’Sean O'Brien
  • ‘Its eclectic international editorial vision makes Poetry London one of the very best, essential poetry magazines in English.’Steve Berg, Editor, American Poetry Review
  • ‘The name Poetry London might suggest a publication geared to a metropolitan coterie. Nothing could be further from the truth. Poetry London spreads its net wide to include the latest from Europe, America, and other parts of the world, as well as from the islands of Britain and Ireland; work by new poets and established ones. In other words its one of the best magazines around.’Ciaran Carson
  • ‘I’m impressed especially with your openness to international poetry in translation, but also with your resolutely non-sectarian approach to poetry in English – from many sources and schools.’Marilyn Hacker
  • ‘Poetry London is no longer simply an interesting poetry journal for those living in the region, it’s an essential international journal of poetry. The reviews of poetry volumes are often statements of poetics – going beyond their immediate surroundings. They create connections and nodal points for further investigation and discussion, and there’s an editorial dynamic at work that suggests a plurality of vision, a theatre of possibilities. What I particularly like about Poetry London is that it keeps talking to you when you close its covers.’John Kinsella
  • ‘Poetry London has become THE magazine I most want to read.’The Poet Laureate, Carol Ann Duffy
  • ‘For its consistent representation of the best in British poetry, for the keenness of its critical response, for the way it attracts work from both established poets and the brightest newcomers, and for its editorial acuity, Poetry London is indispensable.’David Harsent
  • ‘Poetry London has gone from strength to strength and is now essential reading for anyone who cares about poetry in the UK. It publishes in-depth reviews and a wonderful range of international poets: young poets who have not yet published a collection, old hands, and poets from a wide variety of traditions. The one thing they have in common is their excellence.’Ruth Padel
  • ‘There is no other literary magazine I read to find out what poets are up to across the pond. More than The London Review of Books or the TLS, I look to Poetry London. Whenever it arrives in my mailbox I cancel my plans and spend my time, instead, within those ecstatic pages.’Matthew Dickman
  • ‘Poetry London has been my favourite poetry magazine for some years now. It keeps readers like me plugged into the most consistently exciting bits of the UK poetry scene, while bringing across some of the most important transatlantic writers too. The reviews are among the best being published, giving poets/critics the space to exercise a level of judgment that feels increasingly rare in this climate.’Sarah Howe

News

Drinks with Dead Poets – Sunday 25 March

Poetry London is delighted to be holding a fundraiser in conjunction with Glyn Maxwell, on Sunday 25 March. Click the flyer above or here to get more information.

Poetry London 2018 Competition Now Open

Entry to Poetry London’s 2018 competition is now open, and we are delighted to announce Kwame Dawes as this year’s judge.

Click here to read more, and to enter the competition.

Poetry London is pleased to announce the distinguished poet Kwame Dawes, as the judge of its new 2018 Poetry London Clore Prize. He is the author or twenty-one books of poetry, and numerous other works of fiction, criticism and essays. His most recent collection, City of Bones: A Testament appeared from Northwestern University Press in 2017.

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february, 2018

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23jan - 27marjan 236:45 pmmar 27A Conversation with the Past: Romantics and Victorians

3feb - 3marfeb 310:30 ammar 3Writing Carmen

26feb - 26marfeb 267:30 pmmar 26Bang Said The Gun

28feb7:00 pm- 9:30 pmBricks made of Air: poems for architects, architecture for poets