Its eclectic international editorial vision makes Poetry London one of the very best, essential poetry magazines in English.Steve Berg, Editor, American Poetry ReviewFrom modest beginnings in 1988, when it was a listings newsletter, Poetry London has developed into one of the UK’s leading poetry magazines.
Do not be misled by our name: Poetry London has the same relation to London as The New Yorker has to New York. In other words, it is a national and international magazine. We publish three times a year and feature poems and reviews from across the UK and Ireland, but also from the US, Canada and Australia and many in translation. Poetry London wants to attract the best poems by the best poets currently writing in English.
But an important editorial aim is also to foster emerging writers. On average a third of the poetry pages is given to poets who have yet to publish a first collection. We review pamphlets in the autumn issue and first collections in every issue, and we run an annual poetry competition.
Supported by Arts Council England, Poetry London is unique among major UK poetry magazines in that it is independent of any owner, poetry organisation or publishing house. It is run by an editorial team headed by Ahren Warner who, as Poetry Editor, is the most recent in a line of distinguished poet/editors including Pascale Petit, Maurice Riordan and Colette Bryce.
Poetry London spreads its net wide to include the latest from Europe, America and other parts of the world: work by new poets and established ones … It’s one of the best poetry magazines around.Ciaran Carson
Editors & Staff
Ahren Warner is the author of two collections of poems, Confer (Bloodaxe, 2011) and Pretty (Bloodaxe, 2013), both of which have received Poetry Book Society Recommendations. He was awarded an Eric Gregory Award in 2010 and an Arts Foundation Fellowship in 2012, while Confer was shortlisted for the Forward Prize for Best First Collection. His reviews, interviews and poems have appeared widely in magazines and anthologies and he has also published a pocket-book, Re:, with Donut Press. Ahren completed his doctoral thesis – on philosophy, psychoanalysis, and the commodity in twentieth-century poetry – at the University of London; he has been a tutor and delivered lectures within the English department of Queen Mary, University of London, and has taught poetry in a creative writing context at universities and schools.
Martha Kapos, Poetry Co-editor, was born in America, read Classics at Harvard, then came to study painting and art history at the Chelsea College of Art. She taught there, lecturing and writing on art history and poetry until 2001, when she joined Poetry London. Her first poetry publication was a pamphlet from The Many Press in 1989. She won a Hawthornden Fellowship in 1994 and in 2000 was shortlisted for Poetry Review’s Geoffrey Dearmer ‘New Poet of the Year’ Award. Her poems have been published in Agenda, Thumbscrew, Poetry London, Poetry Review, Rialto, and The Times Literary Supplement. Her first collection, My Nights in Cupid’s Palace (Enitharmon, 2003) was a Poetry Book Society Special Commendation and won the Jerwood Aldeburgh Prize for Best First Collection. Her second collection, Supreme Being (Enitharmon, 2008), and third collection, The Likeness (Enitharmon, 2014), both received Poetry Book Society Recommendations.
Sam Buchan-Watts is a co-editor of the poetry press and arts platform clinic, and has acted as reviews editor for Review 31, and poetry editor for Five Dials. A pamphlet of his poems was published in 2016 in the Faber New Poets series, and he received an Eric Gregory Award the same year. Poems have appeared in magazines and publications such as The Best British Poetry (Salt), Test Centre, The White Review (online), and his articles and essays in Prac Crit, PN Review, i-D and other places. He is a graduate of Goldsmiths and UEA and is working on a PhD at the University of York.
Daniela Paolucci has worked in the arts in Italy and the UK for over 15 years in a variety of roles in management, finance, tour booking, producing projects and festivals and across a range of theatre companies including the Royal National Theatre, Puppet Centre, European Cultural Foundation UK, Scarlet Theatre, Peepolykus, company of angels, Watermans Arts Centre, Pacitti Company (SPILL Festival of Performance 2007) and Montage Theatre Arts. Daniela joined Poetry London as General Manager in January 2009 with the overall responsibility for the smooth running of all Poetry London’s operational services with a particular focus on finances, funder liaison and strategic planning. She also currently works part-time for Apples and Snakes, England’s leading organisation for performance poetry and spoken word, as Programme Coordinator: Participation & Projects.
Jess Chandler is a freelance writer and editor, and co-founder of the Hackney-based independent publishing house and spoken-word record label Test Centre. She also works as an editor at Reaktion Books.
Jess joined Poetry London in February 2015 in the newly-created role of Digital Editor. She is responsible for the magazine’s website and digital content, social media, marketing, sales and listings.
Martin Parker was born in North Nottinghamshire and studied photography at Napier University, Edinburgh. He moved to London in 1997 and completed his MA (Fine Art) at Central Saint Martins, London. His work has been exhibited in Sheffield, Edinburgh, London and Poznan, Poland, including solo shows, and he has curated a number of international and UK exhibitions. He has worked as a graphic designer since 1997 and specializes in education and the arts. His clients include: Tate Modern, Terra Incognita, Refugee Council, The Poetry Society, The Poetry School, Enitharmon Press, Hearing Eye, Lambeth Archive, Norwood, Middlesex University, Social Spider, and the Zoological Society of London. He is co-editor of Brittle Star magazine for new writers and plays in a band called Friends (since 1990). He joined Poetry London in 2000. For more information go to www.silbercow.co.uk.
Cristina Calò earned a joint MA in Literary and Specialized Translation from the University of Modena and Reggio Emilia and the University of Parma (Italy) in April 2016. Her main interests as a graduate student lay in translation theories and contemporary English poetry, which she brought together in her two theses on John Hegley’s My Dog is a Carrot’s own tentative translation and on Simon Armitage’s poetics and Italian reception.
She joined Poetry London in November 2016, where she is responsible for administration and book-keeping, and is the first point of contact for general queries.
She has previously worked as a freelance translator and as a German and English teacher back in Italy, and currently spends all of her free time reading and evaluating foreign books for the Italian publisher Giunti.
Board of Trustees
Chair of the Board of Trustees
Jessica Clark is a publishing lawyer. She worked for Penguin Books for several years, and since 2001 has been in-house counsel for a major academic publishing company which publishes medical and scientific journals, textbooks and reference works. She is also a trustee of the London Legal Support Trust and the Music of Life Foundation.
Trustee & Treasurer
Oliver Rivers is CFO of Tapdaq, an online mobile advertising exchange, FD of BRITDOC Foundation, which supports documentary filmmakers globally, FD of Kamm & Sons, a drinks company, a director of Princi UK, a café business, and a trustee of the Legal Action Group, which campaigns for equal access to justice for all. He studied piano at the Royal College of Music, London, conducting at the Hochschule für Musik, Cologne, and holds an MBA from London Business School.
Louise Bangay trained as an actor at the Drama Studio, London after taking a BA in English & Drama at Hull University and a Post Graduate in Movement and Dance at the Laban Centre, Goldsmith’s College. She co-founded European Stage Company, whose work included British premieres by Vaclav Havel and August Strindberg, and later Damned Poets Theatre Company, committed to staging plays in verse, producing a repertory of five rarely performed Yeats plays, Glyn Maxwell’s first stage play, Shelley’s The Cenci and the British premiere of a specially commissioned and published translation of Corneille’s Horace by Alan Brownjohn at the Lyric. Acting work includes television, film, the West End and the Royal Shakespeare Company.
Sophia Blackwell was born in Newcastle and read English at Oxford, where she started performing poetry in 2003. Since then, she has performed at Glastonbury, Edinburgh and many more of the major festivals. Her first poetry collection, Into Temptation, was published in 2009 and her novel, After My Own Heart, in 2012.
Sophia has worked in marketing within the publishing industry for over ten years and has experience in managing and promoting trade, academic and professional titles and a background in digital content marketing and publicity.
Isobel Dixon grew up in South Africa, where her debut poetry collection Weather Eye won the Olive Schreiner Prize. She completed her post-graduate study in Edinburgh and works in London, where she is a director of the Blake Friedmann Literary Agency. Her further collections are A Fold in the Map and The Tempest Prognosticator and she co-wrote and performed in The Debris Field, a multi-media show about the RMS Titanic. Her work has been recorded for The Poetry Archive and in 2016 Mariscat will publish a pamphlet The Leonids and Nine Arches will publish her new collection, Bearings.
Photo by Jack Ladenburg
Kathryn Maris, a poet from New York City who has lived in London since 1999, is the author of two collections: The Book of Jobs (Four Way Books, 2006) and God Loves You (Seren, 2013). She has won a Pushcart Prize, an Academy of American Poets award, and fellowships from Yaddo, the Fine Arts Work Center in Provincetown and the Hawthornden Castle. Her poems have appeared in Poetry Review, Poetry London, Slate, Poetry, The Spectator, The Financial Times, The Guardian, as well as in many anthologies, including Best British Poetry 2012, Dark Matter: Poems of Space and the Oxford Poets Anthology. Formerly a Listings Editor at Poetry London, she now teaches creative writing at the Poetry School in London, and writes essays, reviews and interviews for British and American publications.
Mali Morris RA is a painter. She was born in North Wales, studied Fine Art at Newcastle University and the University of Reading, and has lived and worked in London since the early 1970s. She is a Founder Member of the artist-run charity Art in Perpetuity Trust, and in 2010 was elected to the Royal Academy of Arts. She has exhibited worldwide in over thirty solo shows and many group exhibitions, and is represented in private and public collections including Arts Council England, British Council, Contemporary Arts Society, Government Art Collection, and Museum of Wales, Cardiff. In 2013 she was Selector/Mentor for Jerwood Painting Fellowships, and in 2014 a Selector at the John Moores Painting Prize China in Shanghai. Her enjoyment of poetry dates from the mid 1960s, when as a student she heard readings by Basil Bunting, Allen Ginsberg and others at Tom and Connie Pickard’s Morden Tower Book Place, in Newcastle upon Tyne. www.malimorris.co.uk
Photo by Chris Morphet
Alex Pryce holds a doctorate in contemporary poetry from the University of Oxford. She works in research communications and teaches contemporary literature in Higher Education. She edited Magma Poetry 59, and is a regular reviewer and feature writer for UK literary magazines.
Karen McCarthy Woolf
Karen McCarthy Woolf holds an Arts and Humanities Research Council doctoral scholarship at the University of London, Royal Holloway where she is researching new ways of writing about nature and politics in the face of climate change. Her book An Aviary of Small Birds, published by Oxford Carcanet is A Poetry Book Society Recommendation and Forward Prize Best First Collection nominee. She was the recipient of a Prairie Schooner Glenna Luschei Award in 2015.